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  <url>
    <loc>https://redd-pr.com/carolina-piteira</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-04</lastmod>
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      <image:title>Carolina Piteira</image:title>
      <image:caption>Carolina Piteira started a Painting Degree in Portugal, at Universidade Superior de Belas Artes de Lisboa in 2008, as part of her degree she joined the Erasmus Exchange Programme at University of East London where she transferred and finished her course with a First Class Honours Degree in Fine Arts along with the Limehouse Arts Foundation Studio Award in 2012. In 2014 she was nominated by the Ministry of Economy of Portugal an Ambassador of "Portugal Sou Eu", to represent and support the Portuguese market as an emerging artist abroad. Since she finished her studies, Piteira has won several prizes including the DegreeArt Signature Art Award and has exhibited in London, Paris, Rome, Athens and Lisbon with various group and solo shows. In 2015 she was invited to be part of "Imago Mundi" Collection, works commissioned and collected by Luciano Benetton. Her solo show titled "The Encounter" with large-scale works raised funds to start the "Portugal Genial" Foundation dedicated to contributing to the development of artists of genuine distinction in their particular fields. Throughout her career, the artist has developed a variety of subjects, all of which however offer an expansive image of the world we currently live in, our shared joys and struggles as humans and ultimately, a view into our time and humanity. These paintings tell their own story, each and everyone of them, but together they tell the story of our world and our time while capturing the timelessness of humanity. In this storytelling, the materials are just as important as the content. Carolina Piteira combines techniques on canvas, making use of acrylics, oils, pastels, coloured pencils, and incorporating tactile elements such as paper, fabric and organic materials through collage. Her work is based on upcycling and reuse techniques, which add contrast and new layers of expression to the work, allowing the materials to tell a story themselves. The colour, exuberant, expressive and unrestrained, is perfectly mastered and ingrains the works with a sense of life and intensity that transcends reality. As much as the world gives to Carolina Piteira’s works, she aims to give back. Either through a greater awareness of the themes developed or through more substantial contributions, Piteira finds it important that her work not only tells a story but that it has real, positive impact on the world that inspired it.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1515601914348-UFJY1DYNSBNBBVUCCR4P/Under+the+sea1+copy.jpg</image:loc>
      <image:title>Carolina Piteira</image:title>
      <image:caption>Carolina Piteira started a Painting Degree in Portugal, at Universidade Superior de Belas Artes de Lisboa in 2008, as part of her degree she joined the Erasmus Exchange Programme at University of East London where she transferred and finished her course with a First Class Honours Degree in Fine Arts along with the Limehouse Arts Foundation Studio Award in 2012. In 2014 she was nominated by the Ministry of Economy of Portugal an Ambassador of "Portugal Sou Eu", to represent and support the Portuguese market as an emerging artist abroad. Since she finished her studies, Piteira has won several prizes including the DegreeArt Signature Art Award and has exhibited in London, Paris, Rome, Athens and Lisbon with various group and solo shows. In 2015 she was invited to be part of "Imago Mundi" Collection, works commissioned and collected by Luciano Benetton. Her solo show titled "The Encounter" with large-scale works raised funds to start the "Portugal Genial" Foundation dedicated to contributing to the development of artists of genuine distinction in their particular fields. Throughout her career, the artist has developed a variety of subjects, all of which however offer an expansive image of the world we currently live in, our shared joys and struggles as humans and ultimately, a view into our time and humanity. These paintings tell their own story, each and everyone of them, but together they tell the story of our world and our time while capturing the timelessness of humanity. In this storytelling, the materials are just as important as the content. Carolina Piteira combines techniques on canvas, making use of acrylics, oils, pastels, coloured pencils, and incorporating tactile elements such as paper, fabric and organic materials through collage. Her work is based on upcycling and reuse techniques, which add contrast and new layers of expression to the work, allowing the materials to tell a story themselves. The colour, exuberant, expressive and unrestrained, is perfectly mastered and ingrains the works with a sense of life and intensity that transcends reality. As much as the world gives to Carolina Piteira’s works, she aims to give back. Either through a greater awareness of the themes developed or through more substantial contributions, Piteira finds it important that her work not only tells a story but that it has real, positive impact on the world that inspired it.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1725443373064-W75P6GOS4QOVQ6NUOLGJ/IMG_5639.jpeg</image:loc>
      <image:title>Carolina Piteira</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1725443376544-I12NY0AQI4LOECLQU1SD/caroline+piteira-4.jpeg</image:loc>
      <image:title>Carolina Piteira</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1725443387141-0D86IFFEIJXDFP3AUS2F/676C6724-B553-412C-9DEC-16329DCADFD5.jpeg</image:loc>
      <image:title>Carolina Piteira</image:title>
    </image:image>
    <image:image>
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      <image:title>Carolina Piteira</image:title>
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  </url>
  <url>
    <loc>https://redd-pr.com/fleur-helluin</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1515602503269-MUGHXYMMIZPXEPYSU9WR/2017_Marianne_web.jpg</image:loc>
      <image:title>Fleur Helluin</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1515602503269-MUGHXYMMIZPXEPYSU9WR/2017_Marianne_web.jpg</image:loc>
      <image:title>Fleur Helluin</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1683821048791-DG8RWGOMTWHHTQ9723ZW/IMG_3009.jpeg</image:loc>
      <image:title>Fleur Helluin</image:title>
      <image:caption>Fleur Helluin studied under the direction of Gilian Gelzer and Joel Hubaut in Caen, France, and Norbert Bisky in Salzburg, Austria. She was also part of the academic program Art &amp; Technology of the Image in University Paris 8. Since 2004, her work explores the impact of the screen-based culture on contemporary figure. Her representational works incorporate the rich features linked to the use of the screen (light, posture, online vocabulary) to traditional oil painting. In 2018, she started a new visual research based on the mythical figure of Herakles and his life as a slave in the court of the Queen Omphale. The archaeological methodology and sites are another engine for her work in this direction. Her practice is focused on painting, and incorporates performance, installation andsound experiments. Her works have been shown with Bill Viola, Norbert Bisky, Damien Cadio, or Cécile Wesolowski.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1683821030936-ZWWOJS1YYXH0S9OZAQO8/IMG_3011.jpeg</image:loc>
      <image:title>Fleur Helluin</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1683821054616-0F5JVC7A07BZTIURS2HM/IMG_3338.jpeg</image:loc>
      <image:title>Fleur Helluin</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1683821068271-YRTO5VDT90NQF4VYBCPB/IMG_3013.jpeg</image:loc>
      <image:title>Fleur Helluin</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1683821082938-2ZKS95HGTA0ISZW5P8ZH/IMG_3012.jpeg</image:loc>
      <image:title>Fleur Helluin</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1683821090643-FR56HOXEV6EZRBQ25VWF/IMG_3005.gif</image:loc>
      <image:title>Fleur Helluin</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1683821097422-EQVS6UV3VFRMU1O9N5M9/IMG_3006.gif</image:loc>
      <image:title>Fleur Helluin</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://redd-pr.com/cecilewesolowski</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1569496820505-WH3P9GLKE7TCTWQBPNFU/IMG_20190924_154435.jpg</image:loc>
      <image:title>Cecile Wesolowski</image:title>
      <image:caption>Handmade bouquets of flowers from golden thermal rescue blankets cling to walls and floors, moving projections meet on reflective glass mosaics and throw dazzling facets on all walls of the room. Complementary fine reminiscences of global pop culture melt into psychedelic videos. Renaissance meets Japanese tradition, is expanded with geological phenomena and enriched with a pinch of current policy. Immediately the usual boundaries between culture, technology and media have been playfully blown up in these artworks, just like it should be on Planet POP. Welcome to the multimedia-based world of French artist Cecile Wesolowski. An artistic world in which the viewer can immerse in a fluctuating plasma, concentrated enriched with new experiences and surprising associations. In today’s reality the worldwide production, information, illusion and virtuality work like a fluid, that flexibly inflows the spaces in between materiality and overcomes seemingly effortless previous distinctions and expands reality exponentially. Right now this liquidity of the life is not only palpable and relevant in monetary terms any more. Jean Baudrillard attested not without reason in his last book: The reality as it was invented in the course of the last centuries and which we have raised to the principle, it is on the way of the resolution.* Cécile Wesolowski reacts to these new currents of living conditions by combining selected phenomena of this fluid, digital Anthropocene from her perspective in a new way, exaggerates them and at the same time, excessively questions them. Following this understanding her immersive installations in the exhibition space are representations of reality loosing its limits. Thereby her works also must inevitably lead to simulations of the current simulation in society. With lots of imagination and humor, she, for example, sets empty liquor bottles, inflatable bath toys or rhinestone accessories amazingly in scene, so that the formerly profane consumer objects suddenly suggest gloss, glamour and value. Or she combines tactile materials such as glass, plastic and folded metal with intangible light plays and projections of various kinds, like from headlights, LED light sources, movies or digital animations. In doing so the artist succeeds to lead the illusion of her productions back into the human hand made and back into the tangible materiality in an enlightened manner. Therefore she gives the viewer the chance to experience the ambivalence of our Brave New World. Cecile Wesolowski was born in 1982, in the Croix, France and was educated, among others, at the fine art school of the region of Les Hauts de France (ERSEP) and the University of Venice at the class of Giorgio Agamben. She participated in numerous solo and group exhibitions in Germany and abroad and lives and works in Potsdam. Stephan Klee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1569496820505-WH3P9GLKE7TCTWQBPNFU/IMG_20190924_154435.jpg</image:loc>
      <image:title>Cecile Wesolowski</image:title>
      <image:caption>Handmade bouquets of flowers from golden thermal rescue blankets cling to walls and floors, moving projections meet on reflective glass mosaics and throw dazzling facets on all walls of the room. Complementary fine reminiscences of global pop culture melt into psychedelic videos. Renaissance meets Japanese tradition, is expanded with geological phenomena and enriched with a pinch of current policy. Immediately the usual boundaries between culture, technology and media have been playfully blown up in these artworks, just like it should be on Planet POP. Welcome to the multimedia-based world of French artist Cecile Wesolowski. An artistic world in which the viewer can immerse in a fluctuating plasma, concentrated enriched with new experiences and surprising associations. In today’s reality the worldwide production, information, illusion and virtuality work like a fluid, that flexibly inflows the spaces in between materiality and overcomes seemingly effortless previous distinctions and expands reality exponentially. Right now this liquidity of the life is not only palpable and relevant in monetary terms any more. Jean Baudrillard attested not without reason in his last book: The reality as it was invented in the course of the last centuries and which we have raised to the principle, it is on the way of the resolution.* Cécile Wesolowski reacts to these new currents of living conditions by combining selected phenomena of this fluid, digital Anthropocene from her perspective in a new way, exaggerates them and at the same time, excessively questions them. Following this understanding her immersive installations in the exhibition space are representations of reality loosing its limits. Thereby her works also must inevitably lead to simulations of the current simulation in society. With lots of imagination and humor, she, for example, sets empty liquor bottles, inflatable bath toys or rhinestone accessories amazingly in scene, so that the formerly profane consumer objects suddenly suggest gloss, glamour and value. Or she combines tactile materials such as glass, plastic and folded metal with intangible light plays and projections of various kinds, like from headlights, LED light sources, movies or digital animations. In doing so the artist succeeds to lead the illusion of her productions back into the human hand made and back into the tangible materiality in an enlightened manner. Therefore she gives the viewer the chance to experience the ambivalence of our Brave New World. Cecile Wesolowski was born in 1982, in the Croix, France and was educated, among others, at the fine art school of the region of Les Hauts de France (ERSEP) and the University of Venice at the class of Giorgio Agamben. She participated in numerous solo and group exhibitions in Germany and abroad and lives and works in Potsdam. Stephan Klee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1569496454285-64YSF9AICQWJTBEYKLG5/IMG_20190924_160315.jpg</image:loc>
      <image:title>Cecile Wesolowski</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1569496507499-H897FHMUP4DRA8JPDD6H/IMG_20190924_160353.jpg</image:loc>
      <image:title>Cecile Wesolowski</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1569496509355-WOZV6XLQO5I4RRLPMSZ4/IMG_20190925_192739.jpg</image:loc>
      <image:title>Cecile Wesolowski</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1569496516904-9P1XP8QQLCDPGK0TW0H0/octopus+extract.jpg</image:loc>
      <image:title>Cecile Wesolowski</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://redd-pr.com/justicemukheli</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1569497014824-571ZLRVFAGVHRYJZZ29P/IMG_20190710_120111_503.jpg</image:loc>
      <image:title>Justice Mukheli</image:title>
      <image:caption>Justice Mukheli (born in Soweto) is a South African filmmaker, photographer, and creative entrepreneur. He is known for creating art or film that centers on the African experience. Justice shot a commercial for Ballantines in 2021 around their campaign Stay True: There’s No Wrong Way. Justice Mukheli was featured at the 4th edition of the Also Known As Africa contemporary art fair in Paris in 2019 as a photographer. Mukheli’s fluid, engulfing compositions are inspired by his upbringing in Soweto, South Africa, reflecting on a host of themes from masculinity and blackness to ancestry and spirituality. Mukheli’s process is rapid and his compositions engrossing - taking cues from his past as a photographer he paints contemporary portraits which lapse into the abstract, looking to challenge both our perception of portraiture and what it means to be African. Mukheli attempts to reconnect with his ancestral past - an Africa unshaped by colonisation and Christianity and instead built through spirituality. By telling these stories of past, the figures take on a ghost like quality, in many ways diminished and blurred by the riot of marks engulfing them. For Mukheli, turning to the paintbrush has become a meditative process which allows him to connect with the past - a focus on experience and emotion over documentation. Mukheli’s figures are freed from the shackles of masculinity and the pressures of identity, instead taking on a fluid, somewhat genderless form that is reflective of the spirit. In doing so Mukheli navigates the nuances associated with being a young black man in a post-internet world, in a way that feels both confident yet shy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1569497014824-571ZLRVFAGVHRYJZZ29P/IMG_20190710_120111_503.jpg</image:loc>
      <image:title>Justice Mukheli</image:title>
      <image:caption>Justice Mukheli (born in Soweto) is a South African filmmaker, photographer, and creative entrepreneur. He is known for creating art or film that centers on the African experience. Justice shot a commercial for Ballantines in 2021 around their campaign Stay True: There’s No Wrong Way. Justice Mukheli was featured at the 4th edition of the Also Known As Africa contemporary art fair in Paris in 2019 as a photographer. Mukheli’s fluid, engulfing compositions are inspired by his upbringing in Soweto, South Africa, reflecting on a host of themes from masculinity and blackness to ancestry and spirituality. Mukheli’s process is rapid and his compositions engrossing - taking cues from his past as a photographer he paints contemporary portraits which lapse into the abstract, looking to challenge both our perception of portraiture and what it means to be African. Mukheli attempts to reconnect with his ancestral past - an Africa unshaped by colonisation and Christianity and instead built through spirituality. By telling these stories of past, the figures take on a ghost like quality, in many ways diminished and blurred by the riot of marks engulfing them. For Mukheli, turning to the paintbrush has become a meditative process which allows him to connect with the past - a focus on experience and emotion over documentation. Mukheli’s figures are freed from the shackles of masculinity and the pressures of identity, instead taking on a fluid, somewhat genderless form that is reflective of the spirit. In doing so Mukheli navigates the nuances associated with being a young black man in a post-internet world, in a way that feels both confident yet shy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1569497013916-0LWSHMB462IOQBVAW6A1/IMG_20190718_121844_150.jpg</image:loc>
      <image:title>Justice Mukheli</image:title>
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    <image:image>
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      <image:title>Justice Mukheli</image:title>
    </image:image>
    <image:image>
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      <image:title>Justice Mukheli</image:title>
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    <image:image>
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      <image:title>Justice Mukheli</image:title>
    </image:image>
    <image:image>
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      <image:title>Justice Mukheli</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1725387823663-6J6ZDWCL1CY42GKN3HML/b0016293.jpeg</image:loc>
      <image:title>Justice Mukheli</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1725387804965-E3DBA9R7IJRG3Z6AZ0B6/b0016300.jpeg</image:loc>
      <image:title>Justice Mukheli</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1725387850579-MID0MRV8ZGQDB3S85GGP/b0016302.jpeg</image:loc>
      <image:title>Justice Mukheli</image:title>
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  </url>
  <url>
    <loc>https://redd-pr.com/nina-backman</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1569497615549-CPGMDM8QYGEZKRRN1KMO/juhannustaika.jpg</image:loc>
      <image:title>Nina Backman</image:title>
      <image:caption>Nina Backman is a Finnish artist, performer, curator and founder of the Silence Project. She was born in Helsinki and originally studied Theatre Design at the Liverpool Institute for the Performing Arts in the UK. She works in the space between, installation, performance and visual art. Her work documents the complicity of human conditions whereby the viewer is invited to reflect on aspects of life concepts, identities and values. Her work has been exhibited at Malmö Museum in Sweden, Gallen – Kallela Museum in Finland, Punkt Ø Galleri F 15 in Norway, West Bund Art Center, Shanghai, ANBC – The Metropolitan Laboratory, Berlin among others. She has collaborated with a wide spectrum of creative disciplines from film, theater, photography to design and collaborated with companies and individuals such as Art Council of UK, Liverpool City Council, The Future Laboratory London among others. Nina Backman is the artist behind the performance piece Aino and the Silence Meal. Silence Meal´s have now taking place in Berlin, Helsinki, Shanghai, Brussels, Reykjavik, Stockholm and Oslo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1569497615549-CPGMDM8QYGEZKRRN1KMO/juhannustaika.jpg</image:loc>
      <image:title>Nina Backman</image:title>
      <image:caption>Nina Backman is a Finnish artist, performer, curator and founder of the Silence Project. She was born in Helsinki and originally studied Theatre Design at the Liverpool Institute for the Performing Arts in the UK. She works in the space between, installation, performance and visual art. Her work documents the complicity of human conditions whereby the viewer is invited to reflect on aspects of life concepts, identities and values. Her work has been exhibited at Malmö Museum in Sweden, Gallen – Kallela Museum in Finland, Punkt Ø Galleri F 15 in Norway, West Bund Art Center, Shanghai, ANBC – The Metropolitan Laboratory, Berlin among others. She has collaborated with a wide spectrum of creative disciplines from film, theater, photography to design and collaborated with companies and individuals such as Art Council of UK, Liverpool City Council, The Future Laboratory London among others. Nina Backman is the artist behind the performance piece Aino and the Silence Meal. Silence Meal´s have now taking place in Berlin, Helsinki, Shanghai, Brussels, Reykjavik, Stockholm and Oslo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1569497642887-MEQY0PC4BEWQOGGRC5A7/yellow+small+denia.jpg</image:loc>
      <image:title>Nina Backman</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://redd-pr.com/valentina-murabito</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1569497693160-ZD8TK6OWIVLPCUCAE4WR/55802351_394083634716903_2336162244213080064_n.jpg</image:loc>
      <image:title>Valentina Murabito</image:title>
      <image:caption>Valentina Murabito was born in Sicily. From 2004 to 2009, she studied graphic arts at the Accademia di Belle Arti di Catania where she studied graphics software, as well as xylography, lithography and photography. In 2008, she won two scholarships to study photography at the Moholy-Nagy University of Art and Design in Budapest. During this time, she created her series "Melankólikus", which unites video art, photography and video documentary. She graduated with honors. In 2009, Murabito moved to Germany and currently lives in Berlin</image:caption>
    </image:image>
    <image:image>
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      <image:title>Valentina Murabito</image:title>
      <image:caption>Valentina Murabito was born in Sicily. From 2004 to 2009, she studied graphic arts at the Accademia di Belle Arti di Catania where she studied graphics software, as well as xylography, lithography and photography. In 2008, she won two scholarships to study photography at the Moholy-Nagy University of Art and Design in Budapest. During this time, she created her series "Melankólikus", which unites video art, photography and video documentary. She graduated with honors. In 2009, Murabito moved to Germany and currently lives in Berlin</image:caption>
    </image:image>
    <image:image>
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      <image:title>Valentina Murabito</image:title>
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      <image:title>Valentina Murabito</image:title>
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      <image:title>Valentina Murabito</image:title>
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  <url>
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    <priority>1.0</priority>
    <lastmod>2025-08-09</lastmod>
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      <image:title>Gallery - Lugas Syllabus</image:title>
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      <image:title>Gallery - Lugas Syllabus</image:title>
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    <image:image>
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      <image:title>Gallery</image:title>
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      <image:title>Gallery - Manuela Karin Knaut</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1738231163626-RX83MX83QWUJS3S9MREY/IMG_8472.jpeg</image:loc>
      <image:title>Gallery - Jeffrey Melo</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1726012554566-EWVMSBGF65ZTM3GVPHMX/IMG_5873.jpeg</image:loc>
      <image:title>Gallery - Thomas Daskalakis</image:title>
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      <image:title>Gallery - Mattia Novello</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1723301786532-U6JSWJCQ8X6K5P9V3UHJ/90CD3121-D767-456B-B0D1-D4F9036B0E2F.jpeg</image:loc>
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      <image:title>Gallery - Jessica Alazraki</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1710931384233-5O1Y7NMZJ3KUUFDIG83A/IMG_4986.jpeg</image:loc>
      <image:title>Gallery</image:title>
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      <image:title>Gallery - Kleopatra Bright</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1577274548734-1OCZHO3NIC0V1LTI15U9/fullsizeoutput_3fa.jpeg</image:loc>
      <image:title>Gallery</image:title>
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    <image:image>
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      <image:title>Gallery - Nina Kouklaki</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1743325434129-85X19RBYFUDNTL93AYY9/38923947-6992-452A-8F0A-51D363ACC15B.jpeg</image:loc>
      <image:title>Gallery - Maria Karra</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1747298704070-18PKISNR6WIYZ4BSFRWL/IMG_9489.jpeg</image:loc>
      <image:title>Gallery - Makano</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1724682278705-MWANLDEO84EWZB2UYGT4/IMG_5726.jpeg</image:loc>
      <image:title>Gallery - Maxim Brandt</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1709893844421-EFCRRUMWTB369IK7KMW7/IMG_4908.jpeg</image:loc>
      <image:title>Gallery - Lukas Troberg</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1725441918149-JFALVM17SNHYCOLJHUOW/IMG_5742.jpeg</image:loc>
      <image:title>Gallery - Ryan Falzon</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1727345100252-79WX2SS9K2GJPL0MLKYJ/IMG_6647.jpeg</image:loc>
      <image:title>Gallery - Alexandra Manousakis</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1706870029669-D361F82UJVIYG19IDO8B/IMG_4790.jpeg</image:loc>
      <image:title>Gallery - Adekunle Gbemileke</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1718133725628-HF622H2DCK5ZTFGZJ3YY/IMG_5112.jpeg</image:loc>
      <image:title>Gallery - Alexandria Deters</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1670148273758-MU1LZ9MPPECDU3LK4IOS/3AA990CE-5CE1-4CF2-B93E-931151480A84.jpeg</image:loc>
      <image:title>Gallery - Katharina Arndt</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1710848638516-TY2E9XM82FM8YXTH2NNP/IMG_4937.jpeg</image:loc>
      <image:title>Gallery</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1698228221446-FQC262DJ3AW2KFEKHTMX/IMG_4206.jpeg</image:loc>
      <image:title>Gallery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1701771805178-MBBF72TXJCKJCYII4PZO/IMG_4592.jpeg</image:loc>
      <image:title>Gallery - Andrej Bjelic</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1698228393987-XDH3FTGG8QYT378QE0NC/IMG_4056.jpeg</image:loc>
      <image:title>Gallery</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1670148783809-NDAVYKSOUGQ7P5B9XM6I/D2141A74-E664-4A93-B964-BC35863BE6CC.jpeg</image:loc>
      <image:title>Gallery - Justice Mukheli</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1683818347601-S6E1GRXJFE05L9BKJAQ4/IMG_3351.jpeg</image:loc>
      <image:title>Gallery - George Raftopoulos</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1683818368108-3DB8VDPUHXN3F5ZXIY84/IMG_3011.jpeg</image:loc>
      <image:title>Gallery - Fleur Helluin</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1698228223626-6VZ0SDTZ2O0HT49N24FT/IMG_3977.jpeg</image:loc>
      <image:title>Gallery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1683821389113-B42E28X37KALYC93TFAA/IMG_0618.jpeg</image:loc>
      <image:title>Gallery - Lars Reiffers</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1670148333263-B9WR5YRVXPZZ8F221HAT/DF5B0ED0-AF3C-42C1-8270-B06203108F1A.jpeg</image:loc>
      <image:title>Gallery - Aika Furukawa</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1670148298290-363MEDFCH3DWYSX6VTDD/67E98978-E7A3-49A3-9C51-B1135B695EBF.jpeg</image:loc>
      <image:title>Gallery - Marguerite Wibaux</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1577274692080-WCS9W3MGYXX9VOHNS922/74839811_410046142996544_7185237938383355904_n.jpg</image:loc>
      <image:title>Gallery - Valentina Murabito</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1683822035784-FZEVV5KCUILE0L2EDMXF/IMG_2628.jpeg</image:loc>
      <image:title>Gallery - Stavros Kastrinakis</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1670148796889-5WOB6HATAO17TZG4BQE1/A45B9766-78DD-4851-9A4F-A0D556262DB7.jpeg</image:loc>
      <image:title>Gallery - Dimitris Likissas</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1689099278924-B2A9QSNM2FL2V4QID3G8/IMG_3646.jpeg</image:loc>
      <image:title>Gallery - David Rosado</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1683818351300-FQGM77IB709U97FEZ548/IMG_3170.jpeg</image:loc>
      <image:title>Gallery - Oksana Zmiyevska</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1683821352663-BCQ51NA5U8LCXFSRYB7Z/676C6724-B553-412C-9DEC-16329DCADFD5.jpeg</image:loc>
      <image:title>Gallery - Carolina Piteira</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1683821385836-VY1N907R8LCA9QE212S6/240AC838-4A67-4A11-B577-A2EF1EBF9140.jpeg</image:loc>
      <image:title>Gallery - Clemence Vazard</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1683821335455-LCE84Q4DU83P7JNSAYC1/IMG_0211.jpeg</image:loc>
      <image:title>Gallery - Hedley Roberts</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1683821400192-F2ZRPC08102MLPQZLE61/IMG_0192.jpeg</image:loc>
      <image:title>Gallery - Thorbjorn Beckmann</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1683821359536-J812PXHUVQVWDX8MJTN4/IMG_0729.jpeg</image:loc>
      <image:title>Gallery - Giorgos Taxidis</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1577274718346-SV7LK17D8OEN1CV4OXDP/c_298_Repro+Kopie.jpg</image:loc>
      <image:title>Gallery - Felix Schramm</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1670148780083-65HHOA9IA5R258PJDD0Y/8F625FBB-0048-4BBB-ADB0-57DE4D3496F6.jpeg</image:loc>
      <image:title>Gallery - Stephania Psarros</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1683821372312-IS0SHPLL1NMZ87ZUKWU1/IMG_0251.jpeg</image:loc>
      <image:title>Gallery - Myrto Papadaki</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1683821391659-TA35RT9UPOT95II2ZEVW/IMG_0769.jpeg</image:loc>
      <image:title>Gallery - Sofia Maria Xenakis &amp; Yannis Kritikos</image:title>
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  <url>
    <loc>https://redd-pr.com/max-michel-thillaye</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1581516788727-A4YVWSPI1ZTK49LH23GE/00107120.JPG</image:loc>
      <image:title>Max Michel Thilaye</image:title>
      <image:caption>Max Michel Thillaye (b.1995) is an french artist, curator and filmmaker. He founded MOLT in 2023 as a contemporary venue for different art diciplines. The focus of his work so far has been the processes of adaptation and construction of individuals in society. Max is member of the SRF, société des realisateurs français.  Currently residence between Berlin and Athens.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1581516788727-A4YVWSPI1ZTK49LH23GE/00107120.JPG</image:loc>
      <image:title>Max Michel Thilaye</image:title>
      <image:caption>Max Michel Thillaye (b.1995) is an french artist, curator and filmmaker. He founded MOLT in 2023 as a contemporary venue for different art diciplines. The focus of his work so far has been the processes of adaptation and construction of individuals in society. Max is member of the SRF, société des realisateurs français.  Currently residence between Berlin and Athens.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1581516717544-R0W2NEE495XA671SMYGM/image1+%281%29.jpeg</image:loc>
      <image:title>Max Michel Thilaye</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://redd-pr.com/giorgos-taxidis</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1581516864199-XAVXX3MD17OBJTXTV9MF/%CE%B3%CE%BB%CF%85%CF%80%CF%84%CE%B9%CE%BA%CE%B7%CC%81+%CE%B5%CE%B3%CE%BA%CE%B1%CF%84%CE%B1%CC%81%CF%83%CF%84%CE%B1%CF%83%CE%B7%2C+%CE%BC%CF%80%CE%B5%CF%84%CE%BF%CC%81%CE%BD%2C+%CE%BE%CF%85%CC%81%CE%BB%CE%B9%CE%BD%CE%BF+%CE%BA%CE%BF%CF%85%CF%84%CE%B9%CC%81%2C+%CE%B4%CE%B9%CE%B1%CF%83%CF%84%CE%B1%CC%81%CF%83%CE%B5%CE%B9%CF%82+%CE%BC%CE%B5%CF%84%CE%B1%CE%B2%CE%BB%CE%B7%CF%84%CE%B5%CC%81%CF%82+%2C2017.jpg</image:loc>
      <image:title>Giorgos Taxidis</image:title>
      <image:caption>“Since I can remember myself I was observing the people, the world and the shapes around me. I was studying the behavior of people individually but also as a whole. Glass has similar qualities with the psychological health of a person who is suffering. Fragile , vulnerable, sharp, dangerous, airy it relates to the fragmentation of the own self, with the person who doesn’t let others come close , with the summary of people ( society) , who doesn’t let anything “foreign or strange” invade it. The “ self “ in its weakest and sharpest form which resembles the reflection of a glass fragmentation wall, ready to collapse as soon as one small piece is being distracted. In my work I tried to show the borderline of collapsing/ destruction. For construction I used pieces of glass, which I found thrown away in storage rooms or factories, brought them to my place, cleaned them and started gluing in order to give the impression falling into pieces. ( destruction). I was often working with bare hands to have direct contact with the material and its temperature. until the very last moment all the odds were against me: time, aesthetics and the resistance of the construction itself. Mainly the fact that I had taken something from the garbage to present it to the eyes of the viewer ( visitor), and If it was permitted to call it “art”, was weird. Finally every movement had to be studied carefully first. Glass cuts. And it cuts badly. And it leaves a mark.” Giorgos Taxidis</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1581516864199-XAVXX3MD17OBJTXTV9MF/%CE%B3%CE%BB%CF%85%CF%80%CF%84%CE%B9%CE%BA%CE%B7%CC%81+%CE%B5%CE%B3%CE%BA%CE%B1%CF%84%CE%B1%CC%81%CF%83%CF%84%CE%B1%CF%83%CE%B7%2C+%CE%BC%CF%80%CE%B5%CF%84%CE%BF%CC%81%CE%BD%2C+%CE%BE%CF%85%CC%81%CE%BB%CE%B9%CE%BD%CE%BF+%CE%BA%CE%BF%CF%85%CF%84%CE%B9%CC%81%2C+%CE%B4%CE%B9%CE%B1%CF%83%CF%84%CE%B1%CC%81%CF%83%CE%B5%CE%B9%CF%82+%CE%BC%CE%B5%CF%84%CE%B1%CE%B2%CE%BB%CE%B7%CF%84%CE%B5%CC%81%CF%82+%2C2017.jpg</image:loc>
      <image:title>Giorgos Taxidis</image:title>
      <image:caption>“Since I can remember myself I was observing the people, the world and the shapes around me. I was studying the behavior of people individually but also as a whole. Glass has similar qualities with the psychological health of a person who is suffering. Fragile , vulnerable, sharp, dangerous, airy it relates to the fragmentation of the own self, with the person who doesn’t let others come close , with the summary of people ( society) , who doesn’t let anything “foreign or strange” invade it. The “ self “ in its weakest and sharpest form which resembles the reflection of a glass fragmentation wall, ready to collapse as soon as one small piece is being distracted. In my work I tried to show the borderline of collapsing/ destruction. For construction I used pieces of glass, which I found thrown away in storage rooms or factories, brought them to my place, cleaned them and started gluing in order to give the impression falling into pieces. ( destruction). I was often working with bare hands to have direct contact with the material and its temperature. until the very last moment all the odds were against me: time, aesthetics and the resistance of the construction itself. Mainly the fact that I had taken something from the garbage to present it to the eyes of the viewer ( visitor), and If it was permitted to call it “art”, was weird. Finally every movement had to be studied carefully first. Glass cuts. And it cuts badly. And it leaves a mark.” Giorgos Taxidis</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1581516914877-TWGX4Q7M5SZTBED6J7OU/Lougouris%2C+woodcut+on+paper+28+x+20+cm+2018.jpeg</image:loc>
      <image:title>Giorgos Taxidis</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1581516901369-D523GVS8120ZKSUXE0NQ/Figure%2C+lithography+on+paper+28+x+25+cm+2019.jpeg</image:loc>
      <image:title>Giorgos Taxidis</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1581516909856-CZ2GU46YJQHJO4DNA7UB/Nude%2C+lithography+on+paper+26+x+13.5cm+2019.jpeg</image:loc>
      <image:title>Giorgos Taxidis</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://redd-pr.com/felix-schramm</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1581517431299-UEK5KKPH23XLFN9KMT5G/_DSC5214.jpeg</image:loc>
      <image:title>Felix Schramm</image:title>
      <image:caption>Felix Schramm (born 1970 in Hamburg) is a German artist who lives and works in Düsseldorf Schramm's artwork revolves around displacement, which the sculptor addresses in different visual forms within his work. His understanding of sculpture takes the dialectics thereof as a point of departure, from which he generates his modes of spatially oriented work (installation / spatial intervention, sculpture, collage). After studying sculpture at the Academie Di Belle Arti Di Firenze in Italy and at the Kunstakademie Düsseldorf under Jannis Kounellis and Walther Nikkels, study visits abroad in Tokyo and the Villa Massimo in Rome followed. Engaging with the relations of space and body has led to different approaches in Felix Schramm's sculptural work. The artist works in groups of works, which he arranges systematically through a conceptual allocation. The group "Intersection" is composed of his sculptural, three-dimensional work, with which he undertakes positings in space. These are divided into the sub-groups "spatial intersection" and "corporal intersection". "Spatial intersection" connotes his installations, which form a positing in a given space, while also breaking through it: These spatial structures break in upon the pre-existent space and establish visual axes along their surfaces and edges, which only become visible through the insertion of the elements. The exhibition space becomes the visual space. Felix Schramm usually works with industrially manufactured materials, however, they appear as organic growths in his processes of forming space. "Corporal intersection" involves casts of body parts composed of different materials, which Schramm sometimes sculpts further, or conjoins in doublings or variations. The group "Multilayer" encompasses collages made out of photographs taken by Felix Schramm of his three-dimensional installation pieces. The merging of torn photographic material produces two-dimensionally abstracted visual spaces of jagged edges and image planes. "Multilayer" refers to Schramm's installation work and simultaneously functions independently on a visual level as a form of spatial construction. The "Accumulation" group comprises works that unite different aspects of the artist's individual groups of works: Various sculptural techniques of Schramm evolve into a spatial frame of reference. The freestanding installations can be circumnavigated and read in a dramaturgical sequence. They take effect as narrative organisms, which in turn perform a positing within space. Felix Schramm negotiates shifts in various differentiated creative forms: he regards entirety in its recombinable parts, among them axes, rifts, warps, the potential alignment of the viewer's perspective, and, to that effect, points of intersection – in both a physical and allegorical sense. In Felix Schramm's sculptures and installations the surroundings of the object are seen as part of the space that defines the object. With this, Schramm produces formal systems that derive their structure from the dissolution of (architectural) order.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1581517431299-UEK5KKPH23XLFN9KMT5G/_DSC5214.jpeg</image:loc>
      <image:title>Felix Schramm</image:title>
      <image:caption>Felix Schramm (born 1970 in Hamburg) is a German artist who lives and works in Düsseldorf Schramm's artwork revolves around displacement, which the sculptor addresses in different visual forms within his work. His understanding of sculpture takes the dialectics thereof as a point of departure, from which he generates his modes of spatially oriented work (installation / spatial intervention, sculpture, collage). After studying sculpture at the Academie Di Belle Arti Di Firenze in Italy and at the Kunstakademie Düsseldorf under Jannis Kounellis and Walther Nikkels, study visits abroad in Tokyo and the Villa Massimo in Rome followed. Engaging with the relations of space and body has led to different approaches in Felix Schramm's sculptural work. The artist works in groups of works, which he arranges systematically through a conceptual allocation. The group "Intersection" is composed of his sculptural, three-dimensional work, with which he undertakes positings in space. These are divided into the sub-groups "spatial intersection" and "corporal intersection". "Spatial intersection" connotes his installations, which form a positing in a given space, while also breaking through it: These spatial structures break in upon the pre-existent space and establish visual axes along their surfaces and edges, which only become visible through the insertion of the elements. The exhibition space becomes the visual space. Felix Schramm usually works with industrially manufactured materials, however, they appear as organic growths in his processes of forming space. "Corporal intersection" involves casts of body parts composed of different materials, which Schramm sometimes sculpts further, or conjoins in doublings or variations. The group "Multilayer" encompasses collages made out of photographs taken by Felix Schramm of his three-dimensional installation pieces. The merging of torn photographic material produces two-dimensionally abstracted visual spaces of jagged edges and image planes. "Multilayer" refers to Schramm's installation work and simultaneously functions independently on a visual level as a form of spatial construction. The "Accumulation" group comprises works that unite different aspects of the artist's individual groups of works: Various sculptural techniques of Schramm evolve into a spatial frame of reference. The freestanding installations can be circumnavigated and read in a dramaturgical sequence. They take effect as narrative organisms, which in turn perform a positing within space. Felix Schramm negotiates shifts in various differentiated creative forms: he regards entirety in its recombinable parts, among them axes, rifts, warps, the potential alignment of the viewer's perspective, and, to that effect, points of intersection – in both a physical and allegorical sense. In Felix Schramm's sculptures and installations the surroundings of the object are seen as part of the space that defines the object. With this, Schramm produces formal systems that derive their structure from the dissolution of (architectural) order.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1581517431673-VI6TSWPAHS3RZ45W76XR/c_258_CANSON_GROSS_Vorschau_WZ.jpg</image:loc>
      <image:title>Felix Schramm</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1581517437554-RXRXEM8I2006AI1R8JXI/c_298_Repro+Kopie.jpg</image:loc>
      <image:title>Felix Schramm</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1581517436362-Y5TMU9PU7TCZHI5WFKZK/DarkSite08.jpeg</image:loc>
      <image:title>Felix Schramm</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://redd-pr.com/vicky-vakouli</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1584722910509-FM6P5JOZN29ENKKGLRGH/%CE%92%CE%B9%CC%81%CE%BA%CF%85+%CE%92%CE%B1%CC%81%CE%BA%CE%BF%CF%85%CE%BB%CE%B7%2C+%27%27%CE%A0%CF%81%CE%B1%CC%81%CE%BE%CE%B7+%CE%99%CE%99%CE%99%27%27%2C+%CF%87%CF%81%CF%89%CE%BC%CE%B1%CF%84%CE%B9%CF%83%CF%84%CE%B1%CC%81+%CE%BC%CE%BF%CE%BB%CF%85%CC%81%CE%B2%CE%B9%CE%B1+%CF%83%CE%B5+%CF%87%CE%B1%CF%81%CF%84%CE%B9%CC%81%2C+200x+140cm%2C+2016%2C+5000%E2%82%AC.JPG</image:loc>
      <image:title>Vicky Vakouli</image:title>
      <image:caption>Vicky Vakouli is an emerging artist born in Stockholm Sweden and raised in Thessaloniki Greece.  She uses coloured pencils as her primary medium as a way of reflecting past experiences and childhood memories.  She is currently based in Chania Crete</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1584722910509-FM6P5JOZN29ENKKGLRGH/%CE%92%CE%B9%CC%81%CE%BA%CF%85+%CE%92%CE%B1%CC%81%CE%BA%CE%BF%CF%85%CE%BB%CE%B7%2C+%27%27%CE%A0%CF%81%CE%B1%CC%81%CE%BE%CE%B7+%CE%99%CE%99%CE%99%27%27%2C+%CF%87%CF%81%CF%89%CE%BC%CE%B1%CF%84%CE%B9%CF%83%CF%84%CE%B1%CC%81+%CE%BC%CE%BF%CE%BB%CF%85%CC%81%CE%B2%CE%B9%CE%B1+%CF%83%CE%B5+%CF%87%CE%B1%CF%81%CF%84%CE%B9%CC%81%2C+200x+140cm%2C+2016%2C+5000%E2%82%AC.JPG</image:loc>
      <image:title>Vicky Vakouli</image:title>
      <image:caption>Vicky Vakouli is an emerging artist born in Stockholm Sweden and raised in Thessaloniki Greece.  She uses coloured pencils as her primary medium as a way of reflecting past experiences and childhood memories.  She is currently based in Chania Crete</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1584722900081-SZQ64YCBC5UMA9AU3ECB/%CE%92%CE%B9%CC%81%CE%BA%CF%85+%CE%92%CE%B1%CC%81%CE%BA%CE%BF%CF%85%CE%BB%CE%B7%2C+%CE%91%CC%81%CF%84%CE%B9%CF%84%CE%BB%CE%BF%2C+100x+70cm%2C+%CF%87%CF%81%CF%89%CE%BC%CE%B1%CF%84%CE%B9%CF%83%CF%84%CE%B1%CC%81+%CE%BC%CE%BF%CE%BB%CF%85%CC%81%CE%B2%CE%B9%CE%B1%2C+2018%2C+2000%E2%82%AC.png</image:loc>
      <image:title>Vicky Vakouli</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1584722920244-CPKNDTNZGHRP9NEM7XVB/%CE%92%CE%B9%CC%81%CE%BA%CF%85+%CE%92%CE%B1%CC%81%CE%BA%CE%BF%CF%85%CE%BB%CE%B7%2C+%CE%91%CC%81%CF%84%CE%B9%CF%84%CE%BB%CE%BF%2C+150x+150cm%2C+%CF%87%CF%81%CF%89%CE%BC%CE%B1%CF%84%CE%B9%CF%83%CF%84%CE%B1%CC%81+%CE%BC%CE%BF%CE%BB%CF%85%CC%81%CE%B2%CE%B9%CE%B1%2C+2019%2C+4000%E2%82%AC.png</image:loc>
      <image:title>Vicky Vakouli</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1584722942928-LY65ZAV1XOPJ31K03M5Y/%CE%92%CE%B9%CC%81%CE%BA%CF%85+%CE%92%CE%B1%CC%81%CE%BA%CE%BF%CF%85%CE%BB%CE%B7%2C+Humming+in+Different+Tunes%2C+%CF%87%CF%81%CF%89%CE%BC%CE%B1%CF%84%CE%B9%CF%83%CF%84%CE%B1%CC%81+%CE%BC%CE%BF%CE%BB%CF%85%CC%81%CE%B2%CE%B9%CE%B1%2C+100x+70+cm%2C+2014%2C+3000%E2%82%AC.jpg</image:loc>
      <image:title>Vicky Vakouli</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1584722947721-Y9JNG8S4P4U1YS47CQ5A/%CE%92%CE%B9%CC%81%CE%BA%CF%85+%CE%92%CE%B1%CC%81%CE%BA%CE%BF%CF%85%CE%BB%CE%B7%2C+WIndow+View+I%2C+%CE%94%CE%B9%CC%81%CF%80%CF%84%CF%85%CF%87%CE%BF%2C+%CF%87%CF%81%CF%89%CE%BC%CE%B1%CF%84%CE%B9%CF%83%CF%84%CE%B1%CC%81+%CE%BC%CE%BF%CE%BB%CF%85%CC%81%CE%B2%CE%B9%CE%B1%2C++100x+140cm+2015%2C+2400%E2%82%AC.JPG</image:loc>
      <image:title>Vicky Vakouli</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://redd-pr.com/lennart-grau</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1594719345893-VU99A9FFQ7S7KL1FWB8W/Lennart-Grau-all_for_the_peach_2020_60x50cm-WEB.jpg</image:loc>
      <image:title>Lennart Grau</image:title>
      <image:caption>Lennart Grau (*1981 in Krefeld/Germany) completed his studies of fine arts as an alumni of Prof Leiko Ikemura at the University der Künste (Adademy of Fine Arts) in Berlin in 2012. The artist lives and works in Berlin. Grau’s almost brutal use of colours is a fascinating counterpoint in his interest in the ease and jauntiness of the Rokoko. Impressed by the human ability of decadence, the artist feels inspired to emphasize tawdry themes. For Grau, angels, classic still lifes and epic scenarios represent perfect models to reveal the shallow glamour of this era and shape these typical ornaments into neat ulcers. In reduced, abstract studies, the painter deals with the effects of light and shadow always being in search of innovative techniques of the Trompe L’oeil. With these moments of irritation, the painter attempts to engender mistrust that is both seductive but also contains a doubtful undertone. As in Impressionism, the representation of light and ambient conditions becomes the artist’s key task. An art movement that has always been connected with innovation, progress and critical thinking, is revived in Grau’s works and transformed into a three-dimensional image. “I like being seduced by beautiful fascades which at the same time make me question them immediately because of their superficial aesthetic.“</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1594719345893-VU99A9FFQ7S7KL1FWB8W/Lennart-Grau-all_for_the_peach_2020_60x50cm-WEB.jpg</image:loc>
      <image:title>Lennart Grau</image:title>
      <image:caption>Lennart Grau (*1981 in Krefeld/Germany) completed his studies of fine arts as an alumni of Prof Leiko Ikemura at the University der Künste (Adademy of Fine Arts) in Berlin in 2012. The artist lives and works in Berlin. Grau’s almost brutal use of colours is a fascinating counterpoint in his interest in the ease and jauntiness of the Rokoko. Impressed by the human ability of decadence, the artist feels inspired to emphasize tawdry themes. For Grau, angels, classic still lifes and epic scenarios represent perfect models to reveal the shallow glamour of this era and shape these typical ornaments into neat ulcers. In reduced, abstract studies, the painter deals with the effects of light and shadow always being in search of innovative techniques of the Trompe L’oeil. With these moments of irritation, the painter attempts to engender mistrust that is both seductive but also contains a doubtful undertone. As in Impressionism, the representation of light and ambient conditions becomes the artist’s key task. An art movement that has always been connected with innovation, progress and critical thinking, is revived in Grau’s works and transformed into a three-dimensional image. “I like being seduced by beautiful fascades which at the same time make me question them immediately because of their superficial aesthetic.“</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1594719345719-0L3GZCK2AMKPGH4VM3BU/Lennart-Grau-make_some_juice_2020_60x50cm-WEB.jpg</image:loc>
      <image:title>Lennart Grau</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://redd-pr.com/stamatis-theoharis</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1595939739458-7DJGNPQ3W06LOB8LDC7V/%27%27For+the+heart+of+Katerina%27%27%2C++++++acrylic+on+canvas%2C+60+x+50+cm.jpg</image:loc>
      <image:title>Stamatis Theoharis</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1595939739458-7DJGNPQ3W06LOB8LDC7V/%27%27For+the+heart+of+Katerina%27%27%2C++++++acrylic+on+canvas%2C+60+x+50+cm.jpg</image:loc>
      <image:title>Stamatis Theoharis</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1595939737387-OEIR49PPIQXXFBSL1S2U/%27%27Hercules+MMXVII%27%27%2Cacrylic+on++++++canvas%2C+60+x+50+cm.jpg</image:loc>
      <image:title>Stamatis Theoharis</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1595939770097-1FWIWJD3IZ4E3U4AHPTI/%27%27Legendary%27%27+80+x+130+cm%2C+acrylic++on+canvas.jpg</image:loc>
      <image:title>Stamatis Theoharis</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://redd-pr.com/lars-reiffers</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1601480150379-JWXOVWUI359XGFCD1UEM/LR_P_379.001.jpg</image:loc>
      <image:title>Lars Reiffers</image:title>
      <image:caption>Lars Reiffers, born in Germany in 1978, is a painter who finds his primary means of expression in art. Since 1999, he has been captivated by the motifs of still life, landscapes and museum spaces evident in his extensive portfolio reflecting nuanced explorations of color, layers, and textures. Studying art in Aix-en-Provence and Münster, Reiffers, inspired by his professor Hermann-Josef Kuhna, has cultivated a distinctive artistic style. Employing a camera as an archive, he gathers a myriad of motifs. Starting with photographic references, his painting process evolves, achieving a delicate balance between realism and abstraction. Reiffers explores the varied facets of nature, capturing moments from tranquil to impulsive. His works, serving as aesthetic nature portraits, convey interpretative messages. The artist magnifies motifs to immerse viewers in an immediate and intense experience. Since 2016, Reiffers has directed his focus to "Spaces," particularly within museum settings. Creating intricate compositions, he integrates visitors, artworks, and space harmoniously. These paintings not only mirror history and identity but also present a contemporary perspective on collective memories and cultural awareness. Reiffers' art invites viewers to actively connect emotionally with the beauty of color compositions. His works transcend visual perception, establishing a link between the present and the past, nature and culture. Ultimately, his paintings reflect the essence of life—its will, vitality, transience, and the unfathomable nature—in a nonverbal and universal manner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1601480150379-JWXOVWUI359XGFCD1UEM/LR_P_379.001.jpg</image:loc>
      <image:title>Lars Reiffers</image:title>
      <image:caption>Lars Reiffers, born in Germany in 1978, is a painter who finds his primary means of expression in art. Since 1999, he has been captivated by the motifs of still life, landscapes and museum spaces evident in his extensive portfolio reflecting nuanced explorations of color, layers, and textures. Studying art in Aix-en-Provence and Münster, Reiffers, inspired by his professor Hermann-Josef Kuhna, has cultivated a distinctive artistic style. Employing a camera as an archive, he gathers a myriad of motifs. Starting with photographic references, his painting process evolves, achieving a delicate balance between realism and abstraction. Reiffers explores the varied facets of nature, capturing moments from tranquil to impulsive. His works, serving as aesthetic nature portraits, convey interpretative messages. The artist magnifies motifs to immerse viewers in an immediate and intense experience. Since 2016, Reiffers has directed his focus to "Spaces," particularly within museum settings. Creating intricate compositions, he integrates visitors, artworks, and space harmoniously. These paintings not only mirror history and identity but also present a contemporary perspective on collective memories and cultural awareness. Reiffers' art invites viewers to actively connect emotionally with the beauty of color compositions. His works transcend visual perception, establishing a link between the present and the past, nature and culture. Ultimately, his paintings reflect the essence of life—its will, vitality, transience, and the unfathomable nature—in a nonverbal and universal manner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1601480193423-7AVFSVJTB128PONBNHJI/Reiffers_lars_002.jpg</image:loc>
      <image:title>Lars Reiffers</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1601480245477-7XLB1R6JXHGZ0TBS24IA/Reiffers_lars_008.jpg</image:loc>
      <image:title>Lars Reiffers</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1725388124258-5E1FZFXKPXB6ZB8UET8C/3327BED0-1930-4FE4-B9F8-15C720C9E369.jpeg</image:loc>
      <image:title>Lars Reiffers</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1725388123808-5H9CKN0V6LQVZCAYY1ZG/IMG_0618.jpeg</image:loc>
      <image:title>Lars Reiffers</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://redd-pr.com/stelios-karamanolis</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1602491548207-A509YAFQDIQCVAG2GE9Z/IMG_20201012_110451.jpg</image:loc>
      <image:title>Stelios Karamanolis</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1602491548207-A509YAFQDIQCVAG2GE9Z/IMG_20201012_110451.jpg</image:loc>
      <image:title>Stelios Karamanolis</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://redd-pr.com/hedley-roberts</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1615390611584-ILQM4X8LVLY85BG1XZBD/hroberts2020_a_blue_eyed_girl_fireeyes_102x76cm.jpg</image:loc>
      <image:title>Hedley Roberts</image:title>
      <image:caption>Hedley Roberts is a British artist living and working in Margate UK. A graduate of both the Royal College of Art and Saint Martins, Roberts has an academic background with a Doctorate in Art and a 25 year history of Professorial positions in the UK and internationally. He is a published art writer, curator and the founder of 'Directional Forces', a temporal residency programme that has had over 100 artists take part, including 25 during the 2015 Venice Biennale.  Roberts' has presented his artwork in London since the early 1990s and internationally in Japan, China, Malaysia, Singapore, Australia, across Europe and in the USA; Roberts' work is associated with 'New Gothic'; and mainly takes the form of what he calls 'Non-portraits'; paintings of real people that lose their reference to the person in the making of the painting. He is also known for his still-life 'vanitas' paintings in the momento-mori tradition. At HeliumCowboy, Roberts will display three paintings from a series of non-portraits where the sitters have been transformed into deities."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1615390611584-ILQM4X8LVLY85BG1XZBD/hroberts2020_a_blue_eyed_girl_fireeyes_102x76cm.jpg</image:loc>
      <image:title>Hedley Roberts</image:title>
      <image:caption>Hedley Roberts is a British artist living and working in Margate UK. A graduate of both the Royal College of Art and Saint Martins, Roberts has an academic background with a Doctorate in Art and a 25 year history of Professorial positions in the UK and internationally. He is a published art writer, curator and the founder of 'Directional Forces', a temporal residency programme that has had over 100 artists take part, including 25 during the 2015 Venice Biennale.  Roberts' has presented his artwork in London since the early 1990s and internationally in Japan, China, Malaysia, Singapore, Australia, across Europe and in the USA; Roberts' work is associated with 'New Gothic'; and mainly takes the form of what he calls 'Non-portraits'; paintings of real people that lose their reference to the person in the making of the painting. He is also known for his still-life 'vanitas' paintings in the momento-mori tradition. At HeliumCowboy, Roberts will display three paintings from a series of non-portraits where the sitters have been transformed into deities."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1615390596539-XE7HRKSJ3CF9BBXGO87I/hroberts2020_cherry_bomb_fireyes_102x76.jpg</image:loc>
      <image:title>Hedley Roberts</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://redd-pr.com/george-raftopoulos</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1616412913047-C4DC7ZZ3ZSBQJ4ZMEOVK/IMG_20201104_142948_050.jpg</image:loc>
      <image:title>George Raftopoulos</image:title>
      <image:caption>Born 1972 Lives and works in Sydney, Australia George Raftopoulos compled his BAVA at the University of Western Sydney in 1994 before going on to receive a Graduate Diploma in Painting from Sydney College of the Arts in 1997. George Raftopoulos’ paintings are immediate, responsive, intuitive. He is a story-teller. In the manner of Aesop his paintings are modern visual fables and moral lessons; observations on man’s inhumanity to man and the human condition and more prosaically the vicissitudes of the artist, along with musings on politics, philosophy and life. The migrant experience pervades. George Raftopoulos mines the Greek myths and psyche of his heritage and his experience growing up Greek in a small Australian country town. His DNA is Greek, His nurture is Australian. His way of working is cathartic. It’s about George…his story, his history, his search for identity. George Raftopoulos positions himself as part of an art-historical lineage. His works are a form of modern day myth- making, fables of modern life; a psycho-drama and collage of his thoughts, dreams and ideas and his flights of fancy. While outwardly heroic and romantic, his works frequently harbour subversive, often acerbic social commentary, and elements of self-examination and reinvention in the service of purging the angst and dilemma of constructing identity, both personal and national. George Raftopoulos has exhibited his work extensively over the last two decades at galleries and institutions including: Bega Valley Regional Gallery, the Greek Embassy in Canberra and the Paris Print Biennial. His work is held in numerous public and private collections, including those of: New England Regional Gallery, Bega Valley Regional Gallery Hellenic Museum in Melbourne, Gold Coast City Art Gallery/Museum, University of Western Sydney, Molongolo Group, ABN AMRO and Credit Suisse Australia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1616412913047-C4DC7ZZ3ZSBQJ4ZMEOVK/IMG_20201104_142948_050.jpg</image:loc>
      <image:title>George Raftopoulos</image:title>
      <image:caption>Born 1972 Lives and works in Sydney, Australia George Raftopoulos compled his BAVA at the University of Western Sydney in 1994 before going on to receive a Graduate Diploma in Painting from Sydney College of the Arts in 1997. George Raftopoulos’ paintings are immediate, responsive, intuitive. He is a story-teller. In the manner of Aesop his paintings are modern visual fables and moral lessons; observations on man’s inhumanity to man and the human condition and more prosaically the vicissitudes of the artist, along with musings on politics, philosophy and life. The migrant experience pervades. George Raftopoulos mines the Greek myths and psyche of his heritage and his experience growing up Greek in a small Australian country town. His DNA is Greek, His nurture is Australian. His way of working is cathartic. It’s about George…his story, his history, his search for identity. George Raftopoulos positions himself as part of an art-historical lineage. His works are a form of modern day myth- making, fables of modern life; a psycho-drama and collage of his thoughts, dreams and ideas and his flights of fancy. While outwardly heroic and romantic, his works frequently harbour subversive, often acerbic social commentary, and elements of self-examination and reinvention in the service of purging the angst and dilemma of constructing identity, both personal and national. George Raftopoulos has exhibited his work extensively over the last two decades at galleries and institutions including: Bega Valley Regional Gallery, the Greek Embassy in Canberra and the Paris Print Biennial. His work is held in numerous public and private collections, including those of: New England Regional Gallery, Bega Valley Regional Gallery Hellenic Museum in Melbourne, Gold Coast City Art Gallery/Museum, University of Western Sydney, Molongolo Group, ABN AMRO and Credit Suisse Australia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1616412914171-IBP8Z77V02WRJP0KQK6X/IMG_20201116_183630_135.jpg</image:loc>
      <image:title>George Raftopoulos</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1683845204065-7MH8FGBEVAXB0OIVJC19/IMG_3351.jpeg</image:loc>
      <image:title>George Raftopoulos</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1616412916510-1N75D4EAVSPFL0O4ZPSA/IMG_20201124_124539_676.jpg</image:loc>
      <image:title>George Raftopoulos</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1616412917081-AFE6CALW80YA1EE009IC/IMG_20210215_135407_575.jpg</image:loc>
      <image:title>George Raftopoulos</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://redd-pr.com/dimitri-likissas</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1617209346939-DYV2A7266HRV4IGLPKGN/boogie-woogie.jpg</image:loc>
      <image:title>Dimitri Likissas</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1617209346939-DYV2A7266HRV4IGLPKGN/boogie-woogie.jpg</image:loc>
      <image:title>Dimitri Likissas</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1617209345243-8WNDFNXELWQUKCIQXUMP/dreams-do-come-through.jpg</image:loc>
      <image:title>Dimitri Likissas</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1617209357494-VQQZ7AUIOFOHKDT5CE8T/eternal+dream.jpg</image:loc>
      <image:title>Dimitri Likissas</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1617209353968-H0ADR4CUUI9WF1G48U9P/NIKOLAKI-1000.jpg</image:loc>
      <image:title>Dimitri Likissas</image:title>
      <image:caption>Dimitri Likissas (1969) was born and raised in Belgium and has Greek roots. He has been creative his entire life. Around his early 20’s he moved to the Caribbean where his career evolved from being a graphic designer to a corporate director of a media publishing company. During those years he painted on the side. He left his corporate job and from that point forward he has turned into a full time artist painter and his creations have discovered their way into numerous private collections mostly in Europe and America. His coloured dots arrangements, transform imagery into abstract/geometric forms. He explores the unlimited potential of chromatic and tonal scale, visual planes and volume with a two-dimensional framework. Viewing his dynamic works of art is an exciting optical experience. He is influenced by his pop art heroes Keith Haring (which he has personally met as a teen), Roy Lichtenstein and Andy Warhol. For him, the pattern of dots serve as references to living organisms, atoms, i.e. the idea that matter is made up of discrete units. These patterned dots cohabitate in harmony. For him dots (circles) keep on moving and rolling, where he has developed his own optical language and inimitable style. With utmost proficiency he invites us to view the world as magical, fluid, and invigorating panorama.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1617209359147-8QBAR23R612DNL0T9WZD/shower+of+ecstasy.jpg</image:loc>
      <image:title>Dimitri Likissas</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://redd-pr.com/thorbjorn-bechmann</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1621088136166-RUAZE62S891SMZ0A9PLR/2025.jpg</image:loc>
      <image:title>Thorbjorn Bechmann</image:title>
      <image:caption>Thorbjørn Bechmann (1966) lives and works in Copenhagen, Denmark. Bechmann's primary practice is non-representational painting, which explores questions of process and language in abstract painting. Suspicious of the construction of meaning through image-based language, he strives to avoid symbols and pictorial representation and produces paintings that can be experienced bodily and sensorily. His works are process-oriented and are layered with a multitude of shades, hues, and shadows. Viewing his work is an atmospheric experience: it points towards the luminous quality of both the painting and the world. Bechmann studied at the Royal Danish Academy of the Arts. Besides his work as an artist, he has extensive curatorial practice. He has exhibited in Denmark, Germany, Istanbul, Austria, Belgium, Greece, the USA, and Japan and is also represented in both public and private collections, including the Danish Arts Foundation. One of his most recent exhibitions, "Constant Negotiation" (2019), was awarded a prize by the Danish Arts Foundation for its radical investigation of gesture-based painting. Earlier this year, Bechmann presented his first solo show in the US, Looking Awry, with Simard Bilodeau Contemporary. Two more solo shows in both London and Denmark make 2024 an auspicious year for the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1621088136166-RUAZE62S891SMZ0A9PLR/2025.jpg</image:loc>
      <image:title>Thorbjorn Bechmann</image:title>
      <image:caption>Thorbjørn Bechmann (1966) lives and works in Copenhagen, Denmark. Bechmann's primary practice is non-representational painting, which explores questions of process and language in abstract painting. Suspicious of the construction of meaning through image-based language, he strives to avoid symbols and pictorial representation and produces paintings that can be experienced bodily and sensorily. His works are process-oriented and are layered with a multitude of shades, hues, and shadows. Viewing his work is an atmospheric experience: it points towards the luminous quality of both the painting and the world. Bechmann studied at the Royal Danish Academy of the Arts. Besides his work as an artist, he has extensive curatorial practice. He has exhibited in Denmark, Germany, Istanbul, Austria, Belgium, Greece, the USA, and Japan and is also represented in both public and private collections, including the Danish Arts Foundation. One of his most recent exhibitions, "Constant Negotiation" (2019), was awarded a prize by the Danish Arts Foundation for its radical investigation of gesture-based painting. Earlier this year, Bechmann presented his first solo show in the US, Looking Awry, with Simard Bilodeau Contemporary. Two more solo shows in both London and Denmark make 2024 an auspicious year for the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1621088145950-VE2H8J1EONTMWYQBN0T9/2042.jpg</image:loc>
      <image:title>Thorbjorn Bechmann</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1621088160758-DR6FUREFDI2WV50Z59ZC/2043.jpg</image:loc>
      <image:title>Thorbjorn Bechmann</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1621088179876-ERBBERQTABQMRJ43J920/2044.jpg</image:loc>
      <image:title>Thorbjorn Bechmann</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1621088188121-S8KT31F01W8V6KMB0OGZ/2045.jpg</image:loc>
      <image:title>Thorbjorn Bechmann</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1621088196626-MYC032JW55DED4U5GQV3/2046.jpg</image:loc>
      <image:title>Thorbjorn Bechmann</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://redd-pr.com/clemence-vazard</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1621088281684-SXTNG32HFP75I2LZ4U0L/_MG_6575.JPG</image:loc>
      <image:title>Clemence Vazard</image:title>
      <image:caption>Clémence Vazard (born 1985, France) is a transdisciplinary artist who lives and works between Paris, Arles and Mexico City. As an artist-researcher , Clemence Vazard gives a voice to women to rebalance our society. The artist has developed a nomadic practice rooted in the territories she studies, exploring their specific visual and aural environments, rhythms, cultures, legends and the human and non-human beings who live there . The artworks arising from her research are infused with stories and emotions meticulously collected to address political issues through personal testimony. The artist graduated from Central Saint Martins with distinction in 2022, received a grant from the City of Paris for her project mon premier harc element in 2017, a grant from the ADAGP Research Fund for her project "Conversations" in 2023 and has completed artistic residencies at Casa Roga in Mexico City in 2021, at Les Ateliers de la Madeleine in Arles in 2022, and in the Ecuadorian Amazon on the Institut Français creative residency program in 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1621088281684-SXTNG32HFP75I2LZ4U0L/_MG_6575.JPG</image:loc>
      <image:title>Clemence Vazard</image:title>
      <image:caption>Clémence Vazard (born 1985, France) is a transdisciplinary artist who lives and works between Paris, Arles and Mexico City. As an artist-researcher , Clemence Vazard gives a voice to women to rebalance our society. The artist has developed a nomadic practice rooted in the territories she studies, exploring their specific visual and aural environments, rhythms, cultures, legends and the human and non-human beings who live there . The artworks arising from her research are infused with stories and emotions meticulously collected to address political issues through personal testimony. The artist graduated from Central Saint Martins with distinction in 2022, received a grant from the City of Paris for her project mon premier harc element in 2017, a grant from the ADAGP Research Fund for her project "Conversations" in 2023 and has completed artistic residencies at Casa Roga in Mexico City in 2021, at Les Ateliers de la Madeleine in Arles in 2022, and in the Ecuadorian Amazon on the Institut Français creative residency program in 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1621088282717-7QJ3TAOGIUQDTH6Y6RFM/_MG_6583.JPG</image:loc>
      <image:title>Clemence Vazard</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://redd-pr.com/aika-furukawa</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1664542446971-W1FZANGCCZ0PMDHVG7R5/E4FC8A79-CC6E-4D36-AF6E-FBFB39969392.jpeg</image:loc>
      <image:title>Aika Furukawa</image:title>
      <image:caption>Through her work Aika Furukawa aims to catch a glimpse of impermanence within the beauty of everyday life. Her primary ambition is to empower the viewer, fostering a heightened sense of awareness and sensitivity. Aika Furukawa uses translucent linen canvases. She creates immersive interplay with the exhibition space, thereby crafting a multidimensional experience. Since 2007, her focal motif has been the concept of 'Folds.' These organic creases manifest ubiquitously in the fabric of our daily existence. Though easily overlooked in our habitual routines, folds persistently morph, evoking an acute aware ness of life's impermanence. Aika was born in Aichi, Japan in 1982. She finished her studies at the Tokyo University of the Arts in 2008. Agency for Cultural Affairs of The Japanese Government and Pola Art Foundation; Trainee in 2012-15. Her artistic journey spans across Brussels, Leipzig and Tokyo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1664542446971-W1FZANGCCZ0PMDHVG7R5/E4FC8A79-CC6E-4D36-AF6E-FBFB39969392.jpeg</image:loc>
      <image:title>Aika Furukawa</image:title>
      <image:caption>Through her work Aika Furukawa aims to catch a glimpse of impermanence within the beauty of everyday life. Her primary ambition is to empower the viewer, fostering a heightened sense of awareness and sensitivity. Aika Furukawa uses translucent linen canvases. She creates immersive interplay with the exhibition space, thereby crafting a multidimensional experience. Since 2007, her focal motif has been the concept of 'Folds.' These organic creases manifest ubiquitously in the fabric of our daily existence. Though easily overlooked in our habitual routines, folds persistently morph, evoking an acute aware ness of life's impermanence. Aika was born in Aichi, Japan in 1982. She finished her studies at the Tokyo University of the Arts in 2008. Agency for Cultural Affairs of The Japanese Government and Pola Art Foundation; Trainee in 2012-15. Her artistic journey spans across Brussels, Leipzig and Tokyo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1664542448348-M32GR3DFJJCZBLDTYD40/73023477-01CA-45C0-860C-255E176CCB87.jpeg</image:loc>
      <image:title>Aika Furukawa</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1664542450445-6TDQLFYI74WIRGDVZLT0/122FDA03-05B2-4051-90D1-824F46814D5D.jpeg</image:loc>
      <image:title>Aika Furukawa</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://redd-pr.com/nina-kouklaki</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1670147776431-XW1VO9S98O3O1C8LOH1O/9836C86A-9241-4207-AED6-17A977A28864.jpeg</image:loc>
      <image:title>Nina Kouklaki</image:title>
      <image:caption>Nina Kouklaki is an artist specialised in painting, based in Greece and Portugal. She graduated from Duncan of Jordanstone College of Art and Design, Dundee, in 2023. Nina has participated in several exhibitions in Berlin, Athens, Crete, Dundee and had her first solo exhibition at Redd Gallery in Crete in October 2023. A short brief of Nina’s artistic practice in her own words: My paintings are influenced by ASMR experiences and fetishism. As an ASMR content viewer myself, I attempt to convey the satisfying sensations which are often triggered by ASMR experiences. I aspire to evoke synaesthesia in the audience, as to blur the lines between sight and touch. The paintings intend to be experienced not only with the eyes but with the sense of touch as if the observer is physically interacting with the art piece. Through these ideas I aim to enhance the audience’s experience by making a deep and overwhelming connection between the artwork and the viewer.   My personal style plays a crucial role, the subjects and objects must always look wet, glossy and yummy. The body is floating in a surreal dimension where it resembles luscious food, tempting the viewer to indulge and consume it. Every work includes an object. I want to convey the fulfilment and satisfaction that an object gives me when I am playing with it. I have a strong bond with objects. Many viewers may find a painting or concept disgusting. There’s a thin line between disgusting and sexual and these paintings evoke both.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1670147776431-XW1VO9S98O3O1C8LOH1O/9836C86A-9241-4207-AED6-17A977A28864.jpeg</image:loc>
      <image:title>Nina Kouklaki</image:title>
      <image:caption>Nina Kouklaki is an artist specialised in painting, based in Greece and Portugal. She graduated from Duncan of Jordanstone College of Art and Design, Dundee, in 2023. Nina has participated in several exhibitions in Berlin, Athens, Crete, Dundee and had her first solo exhibition at Redd Gallery in Crete in October 2023. A short brief of Nina’s artistic practice in her own words: My paintings are influenced by ASMR experiences and fetishism. As an ASMR content viewer myself, I attempt to convey the satisfying sensations which are often triggered by ASMR experiences. I aspire to evoke synaesthesia in the audience, as to blur the lines between sight and touch. The paintings intend to be experienced not only with the eyes but with the sense of touch as if the observer is physically interacting with the art piece. Through these ideas I aim to enhance the audience’s experience by making a deep and overwhelming connection between the artwork and the viewer.   My personal style plays a crucial role, the subjects and objects must always look wet, glossy and yummy. The body is floating in a surreal dimension where it resembles luscious food, tempting the viewer to indulge and consume it. Every work includes an object. I want to convey the fulfilment and satisfaction that an object gives me when I am playing with it. I have a strong bond with objects. Many viewers may find a painting or concept disgusting. There’s a thin line between disgusting and sexual and these paintings evoke both.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1670147778093-DNQQQXKI8MPBK6OBP3FG/E1BB86F8-E7BF-442C-830D-4CE085288B23.jpeg</image:loc>
      <image:title>Nina Kouklaki</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1670147784102-NU89RSKJB7EGEZIOREV7/B650EA8E-15F6-44F1-8E3E-493C614FF643.jpeg</image:loc>
      <image:title>Nina Kouklaki</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://redd-pr.com/mattia-novello</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1723301975146-I1NDS7BF8C9VTT04XCLA/IMG_5222.jpeg</image:loc>
      <image:title>Mattia Novello</image:title>
      <image:caption>Mattia Novello was born in Vicenza, Italy in 1985. He graduated in visual communication at the European Institute of Design in Milan, then in fashion photography at the School of Visual Art in New York and in Mixed Media Art at the Parsons School in New York. He lives and works in Treviso, Italy. The artist starts from the observation that nothing really has a beginning or an end. Small, large, matter, non-matter are not absolute dimensions. Every form and attempt at classification of what surrounds us demonstrates the human impossibility of grasping the complexity of the surrounding universe, of the Whole. Progress itself and the idea of time – present, past and future – are fundamental to man and are not innate in the objects and phenomena investigated. The artist’s task is to recognize the intrinsic limit in man and his epistemological process, trying to grasp and represent the essence of reality, beyond what is known or supposedly known. In all of his works, Mattia Novello tries to capture the essence of reality, reaching the conclusion that time is circular, that the present, the past and the future coexist in a single eternal present, that the infinitely small is also infinitely large. From the fascination of Nietzsche’s eternal return there is no loss or nihilism, but rather a vision of secular pantheism. Mattia therefore suggests a possible path in search of meaning, because in the end what man sees as a contradiction is actually part of a whole. If the meaning of the Whole is not humanly reachable, for the artist the answer is the search itself, the tension to always go further, to communicate the intuition of the Whole, which resides, as mentioned, in the connection between opposites and contradictions human. But which forms can represent reality in its totality? Friedrich Nietzsche responded by reminding us that “all things lie directly.” Every truth is curved, time itself is a circle and therefore circularity is central and transversal in many works. In circularity Mattia finds the tool to represent reality, synthesis of “opposites: life, death; big small, yesterday Today. Thanks to the work, the final message is that we are part of the Whole, it reaches the viewer immediately, before the words and rational thought that demonstrate it. A powerful lever of this empathy is the ambiguity (between reality and symbol, between said and unsaid) present in all the artist’s works.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1723301975146-I1NDS7BF8C9VTT04XCLA/IMG_5222.jpeg</image:loc>
      <image:title>Mattia Novello</image:title>
      <image:caption>Mattia Novello was born in Vicenza, Italy in 1985. He graduated in visual communication at the European Institute of Design in Milan, then in fashion photography at the School of Visual Art in New York and in Mixed Media Art at the Parsons School in New York. He lives and works in Treviso, Italy. The artist starts from the observation that nothing really has a beginning or an end. Small, large, matter, non-matter are not absolute dimensions. Every form and attempt at classification of what surrounds us demonstrates the human impossibility of grasping the complexity of the surrounding universe, of the Whole. Progress itself and the idea of time – present, past and future – are fundamental to man and are not innate in the objects and phenomena investigated. The artist’s task is to recognize the intrinsic limit in man and his epistemological process, trying to grasp and represent the essence of reality, beyond what is known or supposedly known. In all of his works, Mattia Novello tries to capture the essence of reality, reaching the conclusion that time is circular, that the present, the past and the future coexist in a single eternal present, that the infinitely small is also infinitely large. From the fascination of Nietzsche’s eternal return there is no loss or nihilism, but rather a vision of secular pantheism. Mattia therefore suggests a possible path in search of meaning, because in the end what man sees as a contradiction is actually part of a whole. If the meaning of the Whole is not humanly reachable, for the artist the answer is the search itself, the tension to always go further, to communicate the intuition of the Whole, which resides, as mentioned, in the connection between opposites and contradictions human. But which forms can represent reality in its totality? Friedrich Nietzsche responded by reminding us that “all things lie directly.” Every truth is curved, time itself is a circle and therefore circularity is central and transversal in many works. In circularity Mattia finds the tool to represent reality, synthesis of “opposites: life, death; big small, yesterday Today. Thanks to the work, the final message is that we are part of the Whole, it reaches the viewer immediately, before the words and rational thought that demonstrate it. A powerful lever of this empathy is the ambiguity (between reality and symbol, between said and unsaid) present in all the artist’s works.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1723301964471-K7K535M1BIVL4TY33EVJ/IMG_5206.jpeg</image:loc>
      <image:title>Mattia Novello</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1723301967915-NMBLUNGZS6Z5GTMKNDYU/IMG_5213.jpeg</image:loc>
      <image:title>Mattia Novello</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1723301970371-85JBBMRVLEVBXRT81YTW/IMG_5210.jpeg</image:loc>
      <image:title>Mattia Novello</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1723301978640-K2GYYQCJ0BND8EQFK1UM/IMG_5289.jpeg</image:loc>
      <image:title>Mattia Novello</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1680074163823-FVC71H7WBI9AIBCIAART/FFEA9C63-AA5E-4D4A-AB71-F7FA255B7A98.jpeg</image:loc>
      <image:title>Mattia Novello</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1680074164308-SWS0VN0SH2IFNPWVWOGL/85B46FBB-EF82-4115-B9AD-314BBDA6A61A.jpeg</image:loc>
      <image:title>Mattia Novello</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1680074164763-84EAPCYH87RCEJCE867Z/A775C975-ED36-4AC5-876C-7A6664CE4D99.jpeg</image:loc>
      <image:title>Mattia Novello</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1680074165519-FE04K9ZH07DL9CJAPCLU/A36066FE-0A16-49FB-ADF5-27B19CA9C0C0.jpeg</image:loc>
      <image:title>Mattia Novello</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1680074165620-5Y57CDOW5518H0ETXWY3/E891FF47-19C4-4B25-AC76-243CA3CC4F65.jpeg</image:loc>
      <image:title>Mattia Novello</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1680074171494-LQ53RMH0IR3J8QN6YXUA/8CBB2DB8-C425-4ECD-81F8-1E7C5279F571.jpeg</image:loc>
      <image:title>Mattia Novello</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1723302035067-E1ST50V5XLQDKQ0UJ34B/7D8DE87D-888E-4473-B8F9-0DE471114BD7.png</image:loc>
      <image:title>Mattia Novello</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1723302037958-ABG8EVK3Q29YYJJNPLFO/photo-output.jpeg</image:loc>
      <image:title>Mattia Novello</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://redd-pr.com/marina-zumi</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1680074257086-Z09IFN5464Q7O8ZBNIIY/A2865281-7447-45AB-9F4B-188C937763A0.jpeg</image:loc>
      <image:title>Marina Zumi</image:title>
      <image:caption>Marina Zumi born in Argentina’s capital Buenos Aires, in 1983. Became Sao Paulo’s citizen for 9 years and currently she is based in Berlin from 2018. Although never finished the academic degree at the Fashion Design university UBA, at the age of 20 already occupied a chair in the main desk of the well recognized argentinian brand, Complot. Became a self-taught artist around 2003 with the introduction to Neo-Muralism , while still working and studying in parallel, the production of hand-embroidery artworks. Once she moved to Sao Paulo, made part of the art collective called ‘Colectivo 132’, that after a great performance, became A7MA art gallery, of which Marina is formal founder and participant, where she also explored geometrical site specific installations. (the gallery runs open till nowadays) Following her Neo muralist career, she painted walls in more than 20 countries and 4 continents, taking her from Argentina to Russia, United States of America, China, Kazakhstan and many more countries, painting intuitive bioluminescent Nature themes, with tints of sacred geometry and the ‘connection’ as core inspiration. "BEING SELF TAUGHT ALLOWED ME TO CREATE WITHOUT A PRECONCEIVED NOTION OF WHAT MURALISM, ART AT SELF IT COULD BE" Her latest body of work are the Site Specific Light Installations, evolving in temporary Public Art pieces and in-studio new sculptures and bi-dimensional sculptural artworks. Where this time she embroiders with neon wires, generating a new crossover between this antique technique and new digital media, technologies and artistic collaborations in the video mapping and music areas. Her art has participated in exhibitions at the Fine Art Academy of Vienna, Saatchi Gallery London, is part of the Pirelli’s collection once exhibited at Hangar Bicocca, Milan. Painted the facade of the Museum of street art Urban Nation in Berlin, exhibited at Mana Contemporary Miami in December 2019, just to name a few; there is no limit for the embrazing evolution of Zumi’s art spirit, who at the moment find, as she says… ‘In an Amorous moment’. In 2020 she moved her studio and founded Studio33 in the heart of Berlin by the feet of Viktoria Park, where she produce till the date and give space to other artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1680074257086-Z09IFN5464Q7O8ZBNIIY/A2865281-7447-45AB-9F4B-188C937763A0.jpeg</image:loc>
      <image:title>Marina Zumi</image:title>
      <image:caption>Marina Zumi born in Argentina’s capital Buenos Aires, in 1983. Became Sao Paulo’s citizen for 9 years and currently she is based in Berlin from 2018. Although never finished the academic degree at the Fashion Design university UBA, at the age of 20 already occupied a chair in the main desk of the well recognized argentinian brand, Complot. Became a self-taught artist around 2003 with the introduction to Neo-Muralism , while still working and studying in parallel, the production of hand-embroidery artworks. Once she moved to Sao Paulo, made part of the art collective called ‘Colectivo 132’, that after a great performance, became A7MA art gallery, of which Marina is formal founder and participant, where she also explored geometrical site specific installations. (the gallery runs open till nowadays) Following her Neo muralist career, she painted walls in more than 20 countries and 4 continents, taking her from Argentina to Russia, United States of America, China, Kazakhstan and many more countries, painting intuitive bioluminescent Nature themes, with tints of sacred geometry and the ‘connection’ as core inspiration. "BEING SELF TAUGHT ALLOWED ME TO CREATE WITHOUT A PRECONCEIVED NOTION OF WHAT MURALISM, ART AT SELF IT COULD BE" Her latest body of work are the Site Specific Light Installations, evolving in temporary Public Art pieces and in-studio new sculptures and bi-dimensional sculptural artworks. Where this time she embroiders with neon wires, generating a new crossover between this antique technique and new digital media, technologies and artistic collaborations in the video mapping and music areas. Her art has participated in exhibitions at the Fine Art Academy of Vienna, Saatchi Gallery London, is part of the Pirelli’s collection once exhibited at Hangar Bicocca, Milan. Painted the facade of the Museum of street art Urban Nation in Berlin, exhibited at Mana Contemporary Miami in December 2019, just to name a few; there is no limit for the embrazing evolution of Zumi’s art spirit, who at the moment find, as she says… ‘In an Amorous moment’. In 2020 she moved her studio and founded Studio33 in the heart of Berlin by the feet of Viktoria Park, where she produce till the date and give space to other artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1680074257241-5B1ZEMVH8Y9J2A773XLZ/C04A7D89-772C-4785-91A7-DE7E9BFF2A21.jpeg</image:loc>
      <image:title>Marina Zumi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1680074271137-KE820AJSE3AGKA9VYK00/B1B7BB39-1B94-4C94-B690-F51DA01608E7.jpeg</image:loc>
      <image:title>Marina Zumi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1680074269254-L0GOY1R7I384ZU0FZJNX/4D0AD12C-3706-4663-8F83-470CBE85D993.jpeg</image:loc>
      <image:title>Marina Zumi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1680074274785-GDH0P24W9ED8XHJ5VTBI/E007CAB5-3251-45AE-A194-B6FA572B1694.jpeg</image:loc>
      <image:title>Marina Zumi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1680074281389-IWEP3MI9D3GQRX2VAV9J/F30072BB-904D-47E6-9120-03E817C01411.jpeg</image:loc>
      <image:title>Marina Zumi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1680074281954-R1C8TZNFVP22K9IFSSAG/64209955-FF95-456F-90AA-02AA2043ED21.jpeg</image:loc>
      <image:title>Marina Zumi</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://redd-pr.com/katharina-arndt</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-04</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1683815802962-3CPL9BPE4HLNHF55UFQ7/IMG_2575.png</image:loc>
      <image:title>Katharina Arndt</image:title>
      <image:caption>Katharina Arndt (b.1981) is a painter from Germany who lives and works between Berlin and Barcelona. She studied Fine Arts at Braunschweig school of art and later on obtained her Master of Fine Arts by John Armleder. Her fast and colourful paintings ironises the contemporary mass consumerist aesthetic of a decadent, abundant society in picturing her everyday life in the digital age. Symbol for this is the topic 'surface' - social, cultural, material. In the hyperreal and at the same time immaterial online world, only the visual appearance dominates - of ourselves and the products we are supposed to buy. We stroke the glossy screen of our smartphone countless times a day, the bodies are hairless, the corners round, the sunglasses mirrored. The smooth appears as a metaphor for resistance, eternal youth, as artificial, uncritical, superficial, conformist. She transfers this topic material and content wise into painting. She works on artificial media such as Latex canvas, lacquer fabric and Plexiglas with glossy acrylic paint and markers. She sees her work as a psychogram of a positivist consumer society that tries to escape its own mortality.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1683815802962-3CPL9BPE4HLNHF55UFQ7/IMG_2575.png</image:loc>
      <image:title>Katharina Arndt</image:title>
      <image:caption>Katharina Arndt (b.1981) is a painter from Germany who lives and works between Berlin and Barcelona. She studied Fine Arts at Braunschweig school of art and later on obtained her Master of Fine Arts by John Armleder. Her fast and colourful paintings ironises the contemporary mass consumerist aesthetic of a decadent, abundant society in picturing her everyday life in the digital age. Symbol for this is the topic 'surface' - social, cultural, material. In the hyperreal and at the same time immaterial online world, only the visual appearance dominates - of ourselves and the products we are supposed to buy. We stroke the glossy screen of our smartphone countless times a day, the bodies are hairless, the corners round, the sunglasses mirrored. The smooth appears as a metaphor for resistance, eternal youth, as artificial, uncritical, superficial, conformist. She transfers this topic material and content wise into painting. She works on artificial media such as Latex canvas, lacquer fabric and Plexiglas with glossy acrylic paint and markers. She sees her work as a psychogram of a positivist consumer society that tries to escape its own mortality.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1683815767413-WJ2FCHE1FVJXXUOJWQ43/IMG_2554.jpeg</image:loc>
      <image:title>Katharina Arndt</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1683815770185-AFKMPZM2JH7PTLGP549A/IMG_2553.jpeg</image:loc>
      <image:title>Katharina Arndt</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1683815809227-GZVRROZOJ8N3MCT8G6IR/katharina-arndt_i-dont-feel-like-talking-really_90x65cm_2021+kopie.jpeg</image:loc>
      <image:title>Katharina Arndt</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/1725387934572-2IOT5MQF6SYKA57WC2F2/IMG_3656.jpeg</image:loc>
      <image:title>Katharina Arndt</image:title>
    </image:image>
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      <image:title>Katharina Arndt</image:title>
    </image:image>
    <image:image>
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      <image:title>Katharina Arndt</image:title>
    </image:image>
    <image:image>
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      <image:title>Katharina Arndt</image:title>
    </image:image>
    <image:image>
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      <image:title>Katharina Arndt</image:title>
    </image:image>
  </url>
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    <loc>https://redd-pr.com/marguerite-wibaux</loc>
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    <loc>https://redd-pr.com/oksana-zmiyevska</loc>
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      <image:title>Wole Lagunju</image:title>
      <image:caption>Wole Lagunju, born in 1966 in Oshogbo, Nigeria, is acclaimed for his innovative approach that blends traditional Yoruba art with contemporary Western influences. Graduating in Fine Arts and Graphic Design from the University of Ife (now Obafemi Awolowo University) in 1986, Lagunju's artistic style revolves around intricate paintings intertwining traditional Gelede masks with representations of modern Western women, redefining Yoruba art and design.</image:caption>
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      <image:title>Wole Lagunju</image:title>
      <image:caption>Wole Lagunju, born in 1966 in Oshogbo, Nigeria, is acclaimed for his innovative approach that blends traditional Yoruba art with contemporary Western influences. Graduating in Fine Arts and Graphic Design from the University of Ife (now Obafemi Awolowo University) in 1986, Lagunju's artistic style revolves around intricate paintings intertwining traditional Gelede masks with representations of modern Western women, redefining Yoruba art and design.</image:caption>
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      <image:title>Ryan Falzon</image:title>
      <image:caption>Ryan Falzon is an artist hailing from Malta, born in 1988. His artistic pursuits encompass painting, printmaking, and writing. Falzon delves into the realms of contemporary duality, narrative exploration, social media, human interaction, and existential conditions within his vibrant and expressive works. Over the past few years, he has established a distinctive voice and style in the political art scene of Malta, known for his provocative and playful approach. Employing a collage-like technique, Falzon constructs narratives by arranging disparate images, inviting viewers to embark on visual journeys. Since 2020, Falzon has been passionately working on his Botanica Series, a collection of internal scapes and still lifes that have garnered widespread acclaim from critics. These artworks, influenced by the COVID-19 pandemic, delve into central themes of domestic settings, personal growth, environmental issues, and a biophilic sentiment. In a post-pandemic scenario, Falzon's latest works exhibit a poetic ambiguity, interweaving elements from everyday life, pop culture, the profane, and urban legends. Through the fusion of imagery, text, and symbols, his pieces create subtle and uncertain narratives, framed by raw emotions and a profound sense of existentialism. Falzon began his artistic journey by studying Fine Arts at MCAST Art and Design in Malta from 2009 to 2011, under the tutelage of Gilbert Calleja, Katya Borg, and Sinead Rice. He further honed his skills with guidance from Robert Zahra. Falzon holds a Bachelor of Arts (Honours) from MCAST (Malta), earned in conjunction with Fraunhofer Gesellschaft (Germany). Throughout his degree program, he received instruction from professors at the Bauhaus and Mannheim University of Applied Sciences. Since 2009, Falzon has participated in numerous solo and group exhibitions across Malta and Europe, with his works finding their place in both public and private collections in Europe and the USA. Between 2013 and 2015, Falzon undertook the role of managing the Xarolla Windmill Project, a collective aimed at supporting emerging artists through multidisciplinary works. In May 2014, Falzon's artistic prowess earned him recognition as an artist for the global "Transform Today" project by Absolut Vodka. Michael A. Fenech, a curator and theatre director, has mentored Falzon since 2016. Falzon's body of work from 2016 to 2019, including notable pieces like "Quick Fix: A Morality Tale" (2016), "We Lost the War" (2017), and "Culture is Past Art is Future" (2018), has become a point of reference in the contemporary local political art scene. Falzon holds the position of a Senior and IB Sixth Form art instructor at St. Edward's College in Birgu, Malta.  Currently, Falzon is pursuing a Master of Arts in Fine Arts at the University of Malta, under the guidance of Dr. Gilbert Calleja in the Department of Art and Art History. Since 2011, Falzon has also published several short pieces in various publications, making his mark in local anthologies and actively participating in local literary circles. In 2022, Falzon added the title of published author to his accomplishments with the release of his first novel, Sajf, published by Kotba Calleja. This literary work has been hailed as the voice of the Maltese millennial generation.</image:caption>
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      <image:title>Ryan Falzon</image:title>
      <image:caption>Ryan Falzon is an artist hailing from Malta, born in 1988. His artistic pursuits encompass painting, printmaking, and writing. Falzon delves into the realms of contemporary duality, narrative exploration, social media, human interaction, and existential conditions within his vibrant and expressive works. Over the past few years, he has established a distinctive voice and style in the political art scene of Malta, known for his provocative and playful approach. Employing a collage-like technique, Falzon constructs narratives by arranging disparate images, inviting viewers to embark on visual journeys. Since 2020, Falzon has been passionately working on his Botanica Series, a collection of internal scapes and still lifes that have garnered widespread acclaim from critics. These artworks, influenced by the COVID-19 pandemic, delve into central themes of domestic settings, personal growth, environmental issues, and a biophilic sentiment. In a post-pandemic scenario, Falzon's latest works exhibit a poetic ambiguity, interweaving elements from everyday life, pop culture, the profane, and urban legends. Through the fusion of imagery, text, and symbols, his pieces create subtle and uncertain narratives, framed by raw emotions and a profound sense of existentialism. Falzon began his artistic journey by studying Fine Arts at MCAST Art and Design in Malta from 2009 to 2011, under the tutelage of Gilbert Calleja, Katya Borg, and Sinead Rice. He further honed his skills with guidance from Robert Zahra. Falzon holds a Bachelor of Arts (Honours) from MCAST (Malta), earned in conjunction with Fraunhofer Gesellschaft (Germany). Throughout his degree program, he received instruction from professors at the Bauhaus and Mannheim University of Applied Sciences. Since 2009, Falzon has participated in numerous solo and group exhibitions across Malta and Europe, with his works finding their place in both public and private collections in Europe and the USA. Between 2013 and 2015, Falzon undertook the role of managing the Xarolla Windmill Project, a collective aimed at supporting emerging artists through multidisciplinary works. In May 2014, Falzon's artistic prowess earned him recognition as an artist for the global "Transform Today" project by Absolut Vodka. Michael A. Fenech, a curator and theatre director, has mentored Falzon since 2016. Falzon's body of work from 2016 to 2019, including notable pieces like "Quick Fix: A Morality Tale" (2016), "We Lost the War" (2017), and "Culture is Past Art is Future" (2018), has become a point of reference in the contemporary local political art scene. Falzon holds the position of a Senior and IB Sixth Form art instructor at St. Edward's College in Birgu, Malta.  Currently, Falzon is pursuing a Master of Arts in Fine Arts at the University of Malta, under the guidance of Dr. Gilbert Calleja in the Department of Art and Art History. Since 2011, Falzon has also published several short pieces in various publications, making his mark in local anthologies and actively participating in local literary circles. In 2022, Falzon added the title of published author to his accomplishments with the release of his first novel, Sajf, published by Kotba Calleja. This literary work has been hailed as the voice of the Maltese millennial generation.</image:caption>
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      <image:title>Ryan Falzon</image:title>
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      <image:title>Ryan Falzon</image:title>
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      <image:title>Gallery - Lars Reiffers</image:title>
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      <image:title>Gallery - Marguerite Wibaux</image:title>
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      <image:title>Gallery - Valentina Murabito</image:title>
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      <image:title>Gallery - Stavros Kastrinakis</image:title>
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      <image:title>Gallery - Dimitris Likissas</image:title>
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      <image:title>Gallery - David Rosado</image:title>
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      <image:title>Gallery - Oksana Zmiyevska</image:title>
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      <image:title>Gallery - Carolina Piteira</image:title>
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      <image:title>Gallery - Clemence Vazard</image:title>
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      <image:title>Gallery - Hedley Roberts</image:title>
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      <image:title>Gallery - Sofia Maria Xenakis &amp; Yannis Kritikos</image:title>
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      <image:title>Residency - Katharina Arndt</image:title>
      <image:caption>The focus of her artistic work (painting, drawing, neon writing) is the observation of digital communication behavior and the visualization of the aesthetics of mass consumption in the digital age. For her, the symbol of this is the topic of ‘surface’ socially, cult urally, materially. In the hyperreal and at the same time immaterial online world, the visual appearance alone dominates us and the products that we are supposed to buy Every day we stroke the shiny screen of our smartphone countless times, the bodies are hairless, the corners are round, the sunglasses are mirrored. The smooth appears as a metaphor for lack of resistance, eternal youth, as artificial, uncritical, superficial, conformist. In tension with this is the individual, his feelings, his behavior. She transfers this theme formally and in terms of content to painting. She works on artificial supports such as PVC foil, varnished paper and plexiglass with glossy acrylic paint and varnish pens. Fast, reduced, almost childlike, motifs and medium function as an artistic mirror of the quantity and speed of perceived scenes. The figures in her pictures often wear sunglasses, are glued to their mobile phones, and have headphones on. They are socially highly active and at the same time socially isolated.  She sees her works as psychograms of a positivistic consumer society that tries to escape from its own transience.</image:caption>
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      <image:title>Residency - Mattia Novello</image:title>
      <image:caption>Our first artist in residency Mattia Novello visits us from Vicenza Italy. During his time in Chania he is preparing his canvases and creating new works inspired by his time spent in Chania Crete. Mattia Novello was born in Vicenza, Italy in 1985. He graduated in visual communication at the European Design Institute in Milan, then in fashion photography at the School of Visual Art in New York and in Mixed Media Art at the Parsons School in New York. After spending part of his first career in New York, he now lives and works in Italy. Novello’s works have been exhibited in New York, Copenhagen, Palm Beach, Prague, Miami, London, Chicago, Greece, Milan, Torino, Napoli, and in international art fairs like “Art Palm Beach”, “Art Miami”, “Art Nordic”, “London Art Fair”, and “Art New York”.</image:caption>
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      <image:caption>Katharina Arndt working in her flat in Chania during her stay for the RedD Art Residency.</image:caption>
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      <image:caption>Mattia Novello creating his latest round painting in the RedD Gallery. Polaroids by Denia Kazakou. Photo by Andreas Markakis.</image:caption>
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      <image:title>Home</image:title>
      <image:caption>‘LOVERS’ by Mattia Novello</image:caption>
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      <image:title>Home</image:title>
      <image:caption>‘What Miami?!’ By Thomas Daskalakis</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/5c2cc4c8-480b-49c2-9b11-cedf95020388/IMG_9622.jpeg</image:loc>
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      <image:caption>‘The Forest Silence II’ by George Stamatakis</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/d7d54f79-0146-4457-aa61-e390380b4917/IMG_9796.jpeg</image:loc>
      <image:title>Home</image:title>
      <image:caption>‘Brooklyn Walls’ by Manuela Karin Knaut</image:caption>
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      <image:caption>‘The Wanderer’ by Valentina Murabito</image:caption>
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      <image:caption>‘Secret Door’ by Taher Jaoui</image:caption>
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      <image:title>About</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5916fff186e6c00c058fadfb/7aa350e4-4b3e-4c5c-bb3c-a332ce0597cc/IMG_9921.jpeg</image:loc>
      <image:title>About - Meet our Founder</image:title>
      <image:caption>Denia Kazakou was born in 1986 in New York City. She registered RedD Public Relations in 2012 during her final year studying Fine Arts (BA) at the UEL in East London, after completing a photography project commissioned by the 1 National Portrait Gallery for the 2012 Olympics.   During her time in London she worked in Luxury Retail, and nightlife hospitality in the Royal Borough of Kensington &amp; Chelsea, freelancing in the Art &amp; Fashion Industry. She’s lived in NYC, Chania, London, and Berlin.  Having previously worked with many galleries and artists she decided to open the RedD Gallery in Chania Crete in June 2019, seven months before the first strict COVID lockdown took place in Greece. In 2020 during the global pandemic her innovative Instagram LIVE #ArtFromTheQuarantine project was picked up by several publications and featured in The Art Newspaper digital and printed May issue under the section “Art &amp; Tech”. In 2021 she was hired by The Art Gorgeous Magazine to host a series of Lives from their membership house Instagram account called ‘Beyond Art’. Since 2012 she has visited Fairs and Produced Exhibitions in London, New York, Berlin, Paris Basil, Brussels, Zurich, Athens, Chania, Essen, and Leipzig; she has collaborated with over 100 artists and had their works featured in various publications, galleries, museums, private collections as well as TV coverage and auction houses. She is a member of the Soho House (CWH), Art She Says Collectors Club, The Art Gorgeous House, and the Centre for Excellence of Women Entrepreneurs (CEWE) representing women in business in the UK.</image:caption>
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      <image:title>Residency - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>‘HOT CHICKS, HOT GUYS, HOT PANTS‘, Solo Show for Katharina Arndt at the RedD Gallery Chania 2023</image:caption>
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